Antelope Audio Edge Solo Modeling Microphone 197881188054 OB

$430.9 Buy It Now or Best Offer
free,30-Day Returns

Seller Store musiciansfriend
(386062) 99.4%,

Location: Kansas City, Missouri
Ships to: US,
Item: 365153309869

Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Return policy details:
Antelope Audio:Antelope Audio
MPN:USED006009 Edge Solo
Manufacturer Warranty:true
Size:197881188054
Style 2:197881188054
Form Factor:Not Available

The Edge Solo is a large diaphragm condenser microphone, with a cardioid pickup pattern, that delivers clean and natural recordings with any interface or preamp. The microphone is designed for the artist/engineer who needs one solution for numerous situations and applications. In addition to the high-performance hardware, Antelope Audio has developed a proprietary Modeling Engine that adds advanced tone-shaping to the microphone’s own pristine sound. The 18 different mic emulations make this a highly adaptive and effective recording tool – suitable for home- and professional-studio recordings of vocals, acoustic instruments, guitar & bass cabs, as well as drums & percussion Home Guitars Percussion Accessories Antelope Audio Edge Solo Modeling Microphone 197881188054 OB item# L46993006000009 Open Box ** Item Specific Details ** Minor scratches on top and back. Sticker residue on case. ** The Edge Solo is a large diaphragm condenser microphone, with a cardioid pickup pattern, that delivers clean and natural recordings with any interface or preamp. The microphone is designed for the artist/engineer who needs one solution for numerous situations and applications. In addition to the high-performance hardware, Antelope Audio has developed a proprietary Modeling Engine that adds advanced tone-shaping to the microphone’s own pristine sound. The 18 different mic emulations make this a highly adaptive and effective recording tool – suitable for home- and professional-studio recordings of vocals, acoustic instruments, guitar & bass cabs, as well as drums & percussion. A Mic That Stands on Its Own The Edge Solo features a low self-noise, high SPL and a 6-micron gold-sputtered diaphragm. Combined with the low-resonance body and low-reflection head basket, the capsule powers a high-performance microphone capable of delivering ultra-fast transients, flat frequency response, and exceptional dynamic range for clean and natural-sounding recordings. A Plethora of Tone-Shaping Emulations In addition to its own pristine sound, the Edge Solo has the ability to mimic 18 of the most popular mics – from dynamic classics to rare Tube & FET large-diaphragm condensers that have stood the test of time. To develop the emulations, Antelope Audio has worked with several revered European facilities, making rigorous measurements and testing multiple exquisitely preserved vintage microphones, as well as modern high-end classics. The 18 emulations provide the necessary sonic versatility needed to suit any voice or instrument both at home and in the studio. A New Vision for the Recording Experience The purpose of the Edge Solo and all other modeling microphones in Antelope Audio’s portfolio is to not only equip you with a variety of sonically versatile emulations in one body but to also expand your scope of recording abilities with features not available with conventional microphones. Antelope Audio’s modeling concept enhances your workflow by allowing you to switch between microphone emulations with a single click during recording or post-production. When paired with an Antelope Audio interface you can benefit from imperceptible latency while picking the best mic emulation for the job during tracking. If you prefer, record without any modeling, and alter the sound later with the native emulation plugins* – compatible with any DAW or interface. *iLok 2 or 3 required to use emulations as native plugins within your DAW Company Heritage Antelope Audio is a digital audio equipment manufacturer delivering high-resolution sound to acclaimed recording studios worldwide. The company’s rise to fame can be traced back to their innovative master clocks and award-winning audio interfaces. In recent years they have leveraged their sonic expertise to create а line of modeling microphones. Features: Large-diaphragm condenser microphone delivering high-resolution audio 18 classic mic emulations with stunning tone-shaping abilities Cardioid pickup pattern User-friendly software allowing for speed & efficiency List of Emulations: Berlin 47 FT – by far the ultimate kick drum microphone, with large, full-bodied sound and unmatchable low-end that’s also suitable for bass cabinets. Berlin 47 TU – modeled after “the holy grail” of tube microphones, it’s suitable for any source and any application, but its glory is mostly due to its ability to capture vocals’ presence like no other microphone. Berlin 49T – a classic male-vocal microphone for effortless tube-warmth, whilst preserving musical presence. Berlin 57 – similar midrange warmth and velvety highs as its brothers the Berlin 47 and 67, but with a slightly less colored response. Berlin 67 – the perfect choice for the drum-overheads and other sharp instruments that might need softening. Berlin 87 – a classic on vocals and acoustic instruments that need extra brightness. Berlin K86 – emulation of a classic German small-diaphragm condenser microphone with broad usage – heard on snare drums, piano and vocals in many hit records. Berlin M103 – a great natural-sounding all-purpose studio microphone that offers less coloration than its brother the 87, but a bigger dynamic range. Berlin M251 – an all-time classic female-vocal microphone, heard on countless records by Tina Turner, Shania Twain, Bjork, and many other legends. Berlin V563 cardioid capsule – this emulation shares a similar sound character to the legendary 47TU with its natural warmth and smoothness, yet it adds another layer of presence and sheen on top. Hamburg 441 – the perfect choice for guitar cabinets and snares, able to capture detailed upper mids in high SPL applications without ever sounding harsh. Illinois 7B – its applications vary from kick drums, bass cabs, and vocals (both live and in the studio), but it’s most well known as the “radio mic”, because of its ability to capture incredibly deep low-end on voice-overs and speech. Illinois 57 – one of the most recognizable all-purpose microphones ever build – often finding its place for close-miking drums or guitar cabs. Minnesota 20 – a familiar large and full low-end making it suitable for kick drums, bass cabs, and male vocals. Tokyo 800T – a classic hip-hop and pop large-diaphragm condenser mic that has become the favorite for Drake, Justin Bieber, and many other artists today. Vienna 12 – the original sits at the top of the dream-list for many pros, who consider it the holy grail of vocal and brass microphones. Vienna 112 – a staple of every live-room with a drum kit, with a tight low-end and plenty of attack. Vienna 414 – the ideal choice for drum overheads, acoustic instruments, and other airy sources. In-the-Box Content Hard mount cradle Standard small hard-carry case Mic emulation license codes and quick start guide leaflet Warranty card Shipping Orders are generally shipped the following business day after payment is received. For example, if your order is placed AND paid for at 1 p.m. Eastern Time on Friday, Musicians Friend will ship it on Monday. We are only shipping eBay orders via standard ground shipping at this time (3-7 business days for delivery once the item leaves our warehouse) Payment We use eBay Managed Payments and accept the following forms of payment credit, debit, and gift cards, Apple Pay, Google Pay, PayPal, and PayPal Credit. Sales Tax We are required to collect sales tax on all orders, except those shipped to the following states: Alaska, Delaware, Montana, New Hampshire and Oregon. Store Policies If you’re not satisfied, neither are we. If for any reason you’re not completely satisfied with your purchase of a new item, simply return it in its original condition within 45 days of purchase (see exceptions below) and we’ll give you a full refund. It’s that simple. Returned items must be in original, brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings or scrapes on the instrument or collateral materials. Items must also include all original packaging, manuals, warrantees and accessories or your return may be subject to a return handling charge. Your refund will be promptly processed upon successful evaluation of your returned item from our trained category professionals in 2-3 business days. Refunds are made for product value only, excluding shipping and handling charges. If you received Free Shipping on your order, the value of the uncharged shipping cost will be deducted from your refund. Limitations and Exceptions Returns of the following products must be made within 10 days of shipment – Stringed instruments priced at $1999.00 or more. The following products cannot be returned – Clearance items, Apple products, items identified as non-returnable, discontinued items, electronic software downloads, demo gear, vintage instruments, strings, reeds, computers, tubes, earbuds, earplugs, recorders, tin whistles, flutophones, « world » wind instruments, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluid, clothing/footwear, body jewelry, sheet music, cleaners, polishes and polishing cloths, software/soundware, books, CDs, DVD’s, vinyl records, and videos.The following fees apply to Band & Orchestra returns – All returned woodwind and brass instruments incur a $10.00 sanitization fee. Returned bows are assessed a $4.00 restocking fee. Returned mouthpieces over $300 incur an $8.00 sanitization fee; the fee for mouthpieces under $300 is $4.00. Should you decide to return your shipment, please follow the return steps printed on the back of your invoice and pack your return carefully to prevent damage in shipment. All returns must: 1. Include a Return Authorization Number; (Please contact us via eBay messages for an RA number) 2. Be in the original packaging complete with all collateral materials such as cases, straps, cables, care kits, certificates of authenticity, warranty cards, manuals, and any other materials that originally shipped with the instrument; 3. Be in brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings, or scrapes on the instrument or collateral materials.

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