ETCHING Hand Signed ~ RARE FIRST STATE ~ 1914 Italy MARKET SCENE, VERONA

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Item: 145747766568

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Unit of Sale:Single Piece
Artist:Francis Dodd
Signed:Yes
Size:Medium
Period:Early 20th Century (1900-1920)
Material:Ink,Paper
Region of Origin:Europe
Original/Licensed Reprint:Limited Edition Print
Framing:Unframed
Subject:Cityscapes,Figures
Type:Print
Year of Production:1914
Style:Impressionism
Theme:Beauty,Art
Features:Signed,Limited Edition
Production Technique:Etching
Country/Region of Manufacture:United Kingdom
Culture:British
Time Period Produced:1900-1924

An original hand signed etching by noted British etcher Francis Dodd (1874-1949). This is an exceedingly rare first state of his 1914 etching « Verona », and the composition is very different from the final published state of the print. This version is a wide horizontal view of the vibrant market scene in the Piazza delle Erbe, after viewing this test proof of the etching, Dodd cut the sides off of the plate to make it a tall and narrow composition. Dodd’s handwritten notes in the lower margin indicate that this is a first state with only three trial proofs. A proof from the final published state is in the collection of The Westmont Ridley Museum of Art, Santa Barbara, it can be viewed online here: https://www.westmont.edu/francis-dodd This etching is printed in dark brown ink on cream colored laid paper and is signed in pencil by the artist, as well as annotated with work notes. The plate measures 10 5/8 x 12 5/8 inches, sheet size is 13 3/8 x 15 3/4 inches. Paper shows very mild and even age toning, margins show some handling creases and grime, reverse shows some handling grime, other it is in excellent condition. Rare item (The essay below provides a brief biography of Dodd and a fine description this print, it appears here courtesy of the Westmont Ridley Museum) Born in Holyhead, Wales, Francis Dodd was the son of a Wesleyan minister. He trained at the Glasgow School of Art, before settling in London in 1904. During World War I, Charles Masterman, the head of the War Propaganda Bureau, appointed Dodd a war artist and commissioned him to serve on the Western Front; here he produced over thirty portraits of senior military personnel. After the war, Dodd turned his attention to watercolors and portrait commissions. Created during a visit to Italy, Verona – View of the Piazza delle Erbe is an etching and drypoint of the Piazza delle Erbe (Square of Herbs), the main market square in Verona. During the Roman Empire, the Piazza was the town’s forum and was a part of Verona’s Roman Court. With its shops and history, it has been the center of the city’s economic and political life for centuries. The specific view of the Piazza delle Erbe is the Maffei Palace in the northwestern part of the square. The Maffei family purchased property on the square in the seventeenth century and built a beautiful palace. The grand home is designed in the Baroque style and sits slightly higher than the square’s ground to expose the ancient Roman Capitoline Hill remains below. Over time, the family added a banister adorned with statues of six Roman and Greek gods, as well as the focal point of the palace, its tour de force helicoidal staircase, which curves through the center of the building. The palace is now a popular restaurant in the Square. Dodd’s etching and drypoint also depicts a marble column, which holds a statue of St. Mark’s Lion. This feature is a curious aspect of the Piazza delle Erbe, as the Lion is a symbol of the Republic of Venice. Verona joined the Republic of Venice in 1405, but the city was captured by Maximilian I in 1508 and remained under the Empire’s hand until 1517. Following Verona’s return to the Republic, citizens celebrated by placing a monument of St. Mark’s Lion in the Piazza, signifying Verona’s fidelity to the Republic of Venice. Dodd’s Verona etching dates to 1914, just as World War I was beginning. It is a great example of his mid-career work, characterized by rich, velvety lines. Ten years later – after Dodd’s experience as a wartime portrait painter – his work demonstrates an improved expertise. There is a soft and unfocused quality to his earlier prints, including Verona – View of the Piazza delle Erbe, that is not as visible in his later, more detailed works, where he experimented with deeper colors. Francis Dodd lived and worked in Blackheath, London until his death in 1949.

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